Serous Brook
Serous Creek
Serous Stream
Serous River
First conceived in 2008 during exploration for a radio station identity, Serous is a geometric display typeface consisting of four styles. Serous employs a systemised design that generates form and structure based on a set of modular rules. The characters are drawn on a geometric grid, giving the type a rhythmic uniform nature. The forms in Serous contain no right angles and feature the same curve radius and stroke weight throughout each type style.
Characters automatically interlock and combine to form graphic relationships that flow like gridded liquid. The four weights can be combined to create inline and outline styles and characters can be overlapped to form gridded visual interplay.
As the naming indicates, Serous has been designed to embody the feeling of liquid. Letters and text are defined by rhythm and fluidity. The word serous comes from the Latin serõsus (from serum) and is defined as: resembling, or producing serum, referring to substances of a watery nature.
Four Styles
Contextual alternates
Oldstyle Figures
Small figures
Lining Figures
Abenaki, Afaan, Oromo, Afar, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Galician, Ganda, Genoese, Gikuyu, Gooniyandi, Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish (Latin), Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Meriam Mir, Mirandese, Mohawk, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, NdebeleNeapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni
We are committed to the highest levels of font production. Serous has been professionally engineered to work seamlessly across all platforms and to perform exceptionally in print and on screen. The OpenType fonts contain a multitude of convenient features, such as automated case-sensitive punctuation and symbols, alternate figure sets and broad Latin-based language support to enhance your requirements.
Serous is most effective at display sizes. Letters become images and patterns defined by rhythm and fluidity. The characters in Serous will automatically interlock horizontally, and can be interlocked vertically with the right leading adjustment.
The Serous family features four font weights that allow for pin lines between letters at a variety of sizes. The font styles can be overlaid at the same size, creating outline effects. Letters can be layered at related sizes to take advantage of their modular nature. River is the heaviest and a useful weight at very large sizes as the pin line between forms is extremely thin. Brook is the lightest and will be most useful at small sizes as the pin line is thickest.
Biome, packaging
Design by Mucho
Culers Barça T-shirt, FC Barcelona
Design by Nike
2SER Radio, poster
Design by Mark Gowing, The Letters
Brainchild, festival identity
Design by Ana Lapa